Transcendent Funk

Thinking about the transcendent nature of art a lot lately. I contemplate the re-write of my manuscript-that-will-be-masterpiece novel while in the friendly skies; I stare at an otherworldly sculpture garden in the swelter of Mid-City New Orleans; I trip on the surrealistic paintings of Matthew Peck in his gallery in the French Quarter; I marvel at rocket ships of ATL architecture from a rooftop in the sky. And my hips sway to the sounds when I hear them.

My sexy girlfriend danced in front of me. We’d had a bit of a bad day before ENTROPY took to the stage at the 420fest in Candler Park of Atlanta. This was before the flight, before New Orleans. It was a spring festival in the capital of the south – nothing new to me about that. Heck, it was our second festival in two days. It was a writer’s work day, and I was not in the mood. My sublease had suddenly dissolved, and I was stuck in a financial muck causing me to question.

Then frontman Rod had a suggestion: Dance your troubles away. ENTROPY is black and white and modern and classic. They represent the funk in America now. And we still want the funk.

Rod fired us up, shook us from our winter slumber. And then Slappy took over – he as charismatic a guitar instigator as exists. And the stage was full with up to ten total people at a time…all with one cause: To get you out of your funk. And suddenly we were drunk on the sounds, the excitement. It worked, man, it works.

Rob Robinson is more pounding drum machine than human being. Steve Boyd from Parliament joined to add an undeniable credibility. Rod’s daughter did not let being on crutches stop her from making the show a family affair.

And we were one again. My girl and I moved together to the beat. The crowd moved together to the beat. One nation under a groove.

About the author

Han Vance

View all posts